Provided to YouTube by NonesuchFamiliarity · Punch BrothersThe Phosphorescent Blues℗ 2015 Nonesuch Records Inc.Acoustic Guitar, Harmony Vocals: Chris Eldri...

If you want this song, download from this link http://www.zshare.net/audio/18210740f74efcd2/ spongebob gary come home awesome

Support Wintergatan: - Patreon ► https://patreon.com/Wintergatan - Youtube membership ► https://bit.ly/4cQVM7C Marble Machine Engineering Discord Server: https://discord.com/invite/7aSFJA6bkH Video edited By Martin and Hannes from the Trainerds YouTube Channel: https://www.youtube.com/c/TRAINERDS — PATREON ► https://patreon.com/Wintergatan YOUTUBE MEMBERSHIP ► https://bit.ly/4cQVM7C WINTERGATAN RECORDS ► http://www.wintergatan.net/#/shop SPOTIFY ► http://bit.ly/2oKxXWd ITUNES ► http://apple.co/2ntWNsZ ENGINEERING DISCORD ► https://discord.com/invite/7aSFJA6bkH COMMUNITY DISCORD ► https://discord.gg/wintergatan — - Check out Speldosa - The Wintergatan Music Box! https://youtu.be/jPuJGW7Nuzo Available as AU/VST/AAX: https://klevgrand.com And on App Store for Ipad and Iphone: https://apps.apple.com/us/app/speldosa/id6446171628 Marble Machine built and composed by Martin Molin Video filmed and edited by Hannes Knutsson ——————————— MUSIC DIGITAL MUSIC DOWNLOADS ►https://wintergatan.bandcamp.com WINTERGATAN RECORDS ►http://www.wintergatan.net/#/shop SPOTIFY ►http://bit.ly/2oKxXWd ITUNES ►http://apple.co/2ntWNsZ

EVERYWHERE AT THE END OF TIME - Stages 1-6 (COMPLETE)https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-timeEverywhere at the end of time' was ...

Provided to YouTube by Warner RecordsSlowly Growing Deaf · Mr. BungleMr. Bungle℗ 1991 Warner Records Inc.Masterer: Bob LudwigDrums: Danny HeifetzEngineer, Mi...

ニコニコ動画から転載 The file reprints from NICO NICO DOUGA. Video name: 【悟ってみた】FIRE TEMPLE【僧侶オリジナル】 Creator: ヒゲドライバー (Hige Driver) Song Name: FIRE TEMPLE Singer: Delay Lama 【悟ってみた】FIRE TEMPLE【僧侶オリジナル】 http://www.nicovideo.jp/watch/sm7834960

SUNN O))) - Frost (C) from the forthcoming album "Pyroclasts" on Southern Lord Recordings (out everywhere 10/25)PRE-ORDER SUNN O))) - Pyroclasts Wednesday, 1...

Released: 1970 as track #3 on ExumaWriter: ExumaGenre: Caribbean folk, psychedelic folkLyrics:The sun is shining in the night Zombies walking in the broad da...

"Original documents and reconstructions of 72 key works of music, poetry and agitprop from the Russian avantgardes (1908-1942)." Reconstructed at Laboratorio...

The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C. Ancient Sumer was the land that lay between the two rivers, the Tigris and Euphrates, in Mesopotamia. The language that the Sumerians spoke was unrelated to the Semitic languages of their neighbors the Akkadians and Babylonians, and it was written in a syllabary (a kind of alphabet) called "cuneiform". By 2000 B.C., the language of Sumer had almost completely died out and was used only by scholars (like Latin is today). No one knows how it was pronounced because it has not been heard in 4000 years. What you hear in this video are a few of the opening lines of part of the epic poem, accompanied only by a long-neck, three-string, Sumerian lute known as a "gish-gu-di". The instrument is tuned to G - G - D, and although it is similar to other long neck lutes still in use today (the tar, the setar, the saz, etc.) the modern instruments are low tension and strung with fine steel wire. The ancient long neck lutes (such as the Egyptian "nefer") were strung with gut and behaved slightly differently. The short-neck lute known as the "oud" is strung with gut/nylon, and its sound has much in common with the ancient long-neck lute although the oud is not a fretted instrument and its strings are much shorter (about 25 inches or 63 cm) as compared to 32 inches (82 cm) on a long-neck instrument. For anyone interested in these lutes, I highly recommend THE ARCHAEOMUSICOLOGY OF THE ANCIENT NEAR EAST by Professor Richard Dumbrill. The location for this performance is the courtyard of Nebuchadnezzar's palace in Babylon. The piece is four minutes long and is intended only as a taste of what the music of ancient Sumer might have sounded like.