@StuporTrooper
@hexbear.netUnfortunately "ending dependency on Russian Oil" is already a talking point with neoliberals. And it's an argument for more fracking.
The original Digimon is about the death of imagination and childhood innocence in a capitalist system. Before the jump into the digiverse, they live in 90s Japan (Tokyo maybe?), it's all grey tones, and every one of the children's parents is distant, many of them because of issues of capitalism. The Digiverse provides a literal escape from 90s capitalist Japan, but also a mental escape from the monotony of growing up to reproduce capitalism. No I will not elaborate, and Wizardmon goes hard.
Lindsay Ellis's shit takes aside, she makes a very good case for parodying fascism (Nazism in particular). Fascists haven't appropriated Mel Brooks's lampoons of fascism. They unironically love American History X and sing "Tomorrow Belongs to Me". Nazis do not love "Springtime for Hitler" in the Producers or Jojo Rabbit because it makes them look silly and dumb. Fascists don't have a coherent ideology and build their ethos around telling themselves they are badass warriors, so parodying fascism by making them sing and dance like clowns is good.